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Pot: TERESA MENDOZA?
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>>THAT GUY LIKES ME
MAKES KNOWN.
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HE IS THE ONE WHO STOLEN THE PLANE
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FROM EL GÜERO WHEN TERESA
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MENDOZA ESCAPED FROM MEXICO.
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DON'T YOU REMEMBER?
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>>BATMAN GÜEMES NOW ME
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FOUND OUT, SO I GIVE YOU
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THE ORDER THAT AT THIS INSTANT
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ALLANES THE HACIENDA. WE ARE?
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>>WE INCREASE THE QUANTITY
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OF FLOUR. I NEGOTIATED WITH
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SÁNCHEZ-GODOY 15 TONS.
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>>STARTING TODAY, ONLY
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WE SEE YOU WHAT IS NECESSARY.
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AND WE TALK IN CODE.
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WHAT YOU DO OR LEAVE
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DOING IS NO LONGER MY BUSINESS.
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>> SOME GUYS FOLLOW ME!
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[Gasps] THESE ARE THE TYPES OF
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MEXICO.
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>>DO NOT MOVE FROM THERE UNTIL
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YOU SEE DIMA AND VLADIMIR ARRIVE.
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>>HEY, RATS, NOW WHAT
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FINISH THAT CHELA LET'S GO
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TO DO THE JOB FOR WHICH
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WE CAME, HUH?
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>>PATY... I DON'T HAVE IT
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WARNED. NEED TO KNOW.
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I HAVE TO MARK HIM.
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>>HERE ARE THE MORRITAS. THIS
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THIS IS THE ADDRESS HE GAVE ME
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ARABIC.
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Cat: NOW I GOT MINE.
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Rats: IF IT WAS NOT FOR
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YOUR FAULT AND YOU
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YOU WOULD HAVE CH... IN CULIACAN,
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LIKE YOU HAD TO DO IT, NO
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WE WOULD BE HERE LOOKING FOR YOU
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THREE FEET TO THE CAT. HEY?
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Pot: HEY, THE PATTERN WAS VERY
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CLEAR. HE SAID TO COME HERE
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BECAUSE WE HAD TO GRAB
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THE GIRL IS HERE AND TAKE HER.
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Rats: IT'S OKAY TO ME
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WHAT YOUR FATHER SAYS! HEY?
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OR I WILL PASS IT TO THE OTHER WORLD, OR
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YOU PASS IT TO ME. THAT? HEY?
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THAT'S WHAT I WAITED FOR!
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WHY DON'T WE DO ONE THING?
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AS HIS FATHER SAYS...
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THEY ACCLIMATIZE... [Presses weapon]
...OR THEY WILL DIE.
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Cat: LET'S DO SOMETHING ELSE,
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MY RATS... THE FIRST ONE
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FIND... THAT ONE THROWS IT OUT AND,
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ALSO, IT TAKES TWO OUNCES.
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HOW DO YOU SEE IT FROM THERE?
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Rats: AS LICE AS ALWAYS.
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JUST BECAUSE HE OWES IT TO YOU.
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BUT PUT THE KILO ON.
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Pot: COME ON.
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[Noises when opening the
doors and go down]
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>>[Beep] NO ANSWER!
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WHAT IF THEY HAVE IT?
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>>QUIET. CALL AGAIN.
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I SEND MY MEN.
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[Dials numbers on cell phone]
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[Laughs]
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>>RABBIT, LET'S SAY I AM "THE
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PUBLIC RELATIONS" OF A
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COMPANY THAT HAS SET UP THE
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MEXICAN. [Cell phone rings]
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>>REALLY? AH! THEN I HAVE
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KNOCKING ON THE RIGHT DOOR,
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BECAUSE I NEED YOU TO GIVE ME
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WORK. BEING EXPRESIDIARY ME
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IT IS VERY DIFFICULT TO FIND CURRA
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ELSEWHERE. [Cell phone rings]
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>>HIRED! YOU WILL SEE HOW THE
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MEXICAN AGREES.
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[glasses clink]
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>>PATY, YOU FINALLY ANSWER!
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ARE YOU OK? TELL ME YOU ARE NOT
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IN THE HOUSE.
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>>OH, RELAX! SURELY HE
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RUSKY HAS ALREADY PUT THE CAVA INTO YOU
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THE BODY. YES, I'M HOME. AND
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I HAVE A SURPRISE THAT WILL GIVE YOU
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LOVE.
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Teresa: PATRICIA, YOU HAVE TO
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LEAVE ASAP FROM THERE! THERE IS
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THREE MEN FROM MEXICO WHO
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THEY CAME TO KILL ME. GET OUT OF THE
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HOUSE, YOU ARE IN DANGER!
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[Beep]
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>>RABBIT, WE'RE LEAVING.
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[♪]
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THE MEXICAN HAS BECOME A
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PARANOID. IF SOMEONE ENTER
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WE SEE IT HERE AT THE HOUSE.
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JO, LET'S GO! RUN,
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BY THE NEIGHBOR'S HOUSE!
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[♪]
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[♪]
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Pot: LA TERESA MENDOZA
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YOU ALREADY KNOW WE ARE HERE.
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Rats: BETTER, SO YOU SEE THAT
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RATS DO EAT BITCH.
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THEY ARE NOT FAR.
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>>LOOK THERE! THEY ARE
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LEAVING THROUGH THE NEIGHBOR HOUSE!
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Rats: SUDDENLY IT'S GOOD,
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LET'S GO! COME ON!
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[♪]
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[Noises when opening]
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[♪]
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Rabbit: NO, WHAT CAN
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THERE ARE SOME OUTSIDE.
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[♪]
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Rats: POT,
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OVER HERE... IT SMELLS LIKE BITCHES!
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[♪]
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[♪]
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[gasps]
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>>RABBIT, WHAT DO WE DO?
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>>I ONLY HAVE TWO
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DAYS OUT, C...!
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[♪]
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[Quietly] Rats
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THIS IS THE CH... ME.
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[♪]
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>> STILL!
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[Screams]
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>>SHHH! SHHH! DOGS...
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THIS IS HOW I WANTED TO FIND THEM.
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A DOG... A PUPPY.
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AND THE OLDER BIT?
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[Shot] WHAT WHERE IS IT?
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TERESA, CH...?!
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>>IF I KNEW I WOULD NOT TELL YOU.
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>>THE BULLET THAT COMES IS CALLED
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"CUPID"... BECAUSE IT GOES DIRECTLY TO THE
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HEART.
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LET'S SEE HOW YOU BARK...
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YOU BITE... BITCH!
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[Shots]
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[♪]
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Cat: HURRY UP, POTE,
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GO!
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Rats: COME ON!
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[Tires squeal]
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[Shots]
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Paty: THE RUSSIANS ARRIVED.
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[♪]
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Rats: AS SOON WE COME, THE
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RUSSIANS STARTED A
SHOOTING OF
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THOSE... AND THE BITCH OF
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TERESA WAS NOT EVEN,
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WOW!
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>>I'M THROWING UP! YES THAT
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IT WAS THE ONLY CLUE HE GAVE US
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THE ARAB! AND AFTER THIS,
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SURELY TERESA MENDOZA IS NOT
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IT APPEARS THERE AGAIN
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NEVER!
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>>WELL THAT'S WHY I AM HERE
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TALKING, GUY, SO YOU CAN GIVE ME
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INSTRUCTIONS. WHAT DO YOU THINK?
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>>RAMIRO, THIS IS THE ONLY ONE
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INSTRUCTION LOOK FOR IT AND
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KILL HER! AND IF THEY DON'T MAKE IT,
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DON'T EVEN RETURN HERE!
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IS IT CLEAR?
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>>THIS C... FORGOT WHO
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I AM. HE'S GOING TO PAY ME FOR ALL OF THEM
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WHOLE, WOW.
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>>RATS, BUT WHAT DID HE SAY
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PATTERN?
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>>WELL IF YOU DON'T CHECK US...
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WHICH BETTER WE DON'T EVEN RETURN.
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[♪]
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LET'S SEE WHAT WE DO
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LET'S GO TO CH...
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[♪]
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>>I HAVE MANY THINGS THAT
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DO, EVERYTHING COMES
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COLOMBIA.
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>>BUT I'M NOT ASKING YOU NOT
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THEY MOVE. YOU, FOLLOW
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YOUR NORMAL LIFE!
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ENTER, EXIT...! BUT ALWAYS
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ACCOMPANIED, NEVER ALONE!
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NOR DECEIVING MEN
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THAT PROTECT YOU.
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>>AGREE.
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OKAY, PATY?
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>>OK, HONEY.
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>>NOW LET'S TALK ABOUT THE MARKET
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COLOMBIAN. TESA, IT'S A MATTER
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COMPLICATED. WE ARE TALKING
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OF A MILITARY OPERATION.
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>>I KNOW. EXACTLY, OLEG.
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PRECISELY WHY
WE HAVE TO
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HIRE THE BIGGEST. and
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I'M NOT TALKING ANYTHING ELSE
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OF WATCHERS AND PILOTS.
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WE NEED PEOPLE WHO KNOW ABOUT
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INTERNET, COMMUNICATIONS,
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LOGISTICS.
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WOW, IN A FEW
WORDS, WE HAVE
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THAT OPERATE JUST AS IT DOES
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WHAT WE ARE, A COMPANY
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SHIPPING TRANSPORTATION.
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>>BUT AND WE ARE GOING TO DO IT LIKE THIS,
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SO SHAMELESS?
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>>YES, YES, IT'S THE BEST! SO,
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BRACEFUL AND IN SIGHT OF EVERYTHING
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THE WORLD. IT'S THE BEST, A
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WELL ORGANIZED COMPANY, WHICH
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HE PAYS TAXES... HE HAS THE
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CLEAR ACCOUNTS, IT DOES NOT HAVE TO
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WHAT RAISES SUSPISONS.
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>>I LIKE IT... I LIKE IT A LOT.
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[♪]
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Teresa: WE NEED
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SOMEONE WHO KNOWS HOW AND TO WHOM
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GREASE THEIR HANDS SO THAT
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THE AUTHORITIES TAKE CARE OF THE
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BLIND VIEW.
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>>EXCUSE THE BOY WHO BROUGHT
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THE MR. YASIKOV, THE ONE WHO IS
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INSTALLING THE LINES
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TELEPHONE ON COMPUTERS
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YOU ARE ASKING ME QUESTIONS
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WHICH I DON'T KNOW HOW TO ANSWER.
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>>WELL, TELL HIM TO COME IN.
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Rabbit: COME.
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HAPPENS.
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>>GOOD MORNING, LADIES.
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>>HELLO. TELL ME.
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>>I JUST INSTALLED THE INTRANET.
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RIGHT NOW I FIND ME
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MAKING ALL THE CONNECTION OF THE
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CLOSED SYSTEM OF CAMERAS TO THE
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NETWORK. I WANTED TO KNOW WHAT MONITORS
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THEY WOULD HAVE ACCESS TO THE SYSTEM... AND
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I DON'T KNOW IF YOU WOULD WANT TO HAVE
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SOME REFERENCE OF THE
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CAMERA IN YOUR OFFICE.
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>>BUT...HOW CAN I
DO THAT?
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CAN I SEE WHICH PEOPLE ARE IN THE
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COMPANY?
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>>IN EVERY CORNER YOU ORDER ME.
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IN FACT... I CAN INSTALL A
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SYSTEM
HIDDEN MICROPHONES...
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SO YOU CAN HEAR IT
257
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EVERYTHING.
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AND EVEN A LITTLE MORE
EXPENSIVE, BUT
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IT DOESN'T HURT... I CAN ALSO
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INSTALL A DETECTOR SO THAT
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KNOW WHEN THEY ARE CLICKING
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THE PHONES.
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>>WHERE ARE YOU FROM?
264
00:11:17,067 --> 00:11:18,734
>>COLOMBIAN.
265
00:11:18,868 --> 00:11:20,734
>>AND YOU LOOK LIKE A REAL GENIECILLO
266
00:11:20,868 --> 00:11:22,033
OF ELECTRONICS.
267
00:11:22,167 --> 00:11:23,701
>>I AM AN ELECTRONIC ENGINEER
AND ME
268
00:11:23,834 --> 00:11:25,033
SPECIALIZED IN COMMUNICATIONS
269
00:11:25,167 --> 00:11:26,901
IN MY COUNTRY. I CAN'T DO IT HERE
270
00:11:27,033 --> 00:11:30,934
DO BECAUSE... WELL, I AM
271
00:11:31,067 --> 00:11:33,434
ILLEGAL.
272
00:11:33,567 --> 00:11:34,501
>>AND YOU ARE TRUSTED BY
273
00:11:34,634 --> 00:11:37,334
OLEG.
274
00:11:37,467 --> 00:11:39,133
COME ON, LIKE FALLEN FROM THE
275
00:11:39,267 --> 00:11:40,934
HEAVEN! [Laughs]
276
00:11:41,067 --> 00:11:41,734
>>WHAT'S YOUR NAME?
277
00:11:41,868 --> 00:11:44,434
>>ALBERTO RIZO CARPAZO.
278
00:11:44,567 --> 00:11:45,601
>>ALBERTO, DO YOU WANT TO HAVE A
279
00:11:45,734 --> 00:11:46,801
SALARY AS A PROFESSIONAL AND A
280
00:11:46,934 --> 00:11:49,234
INSURANCE WITH HOSPITALIZATION AND
281
00:11:49,367 --> 00:11:51,834
ALSO YOUR PAPERS IN RULE?
282
00:11:51,968 --> 00:11:53,834
>>WELL, WHAT THE FUCK SHOULD YOU
283
00:11:53,968 --> 00:11:56,567
KISS?
284
00:12:02,300 --> 00:12:03,701
>>THOSE P... SPANISH
285
00:12:03,834 --> 00:12:06,133
AND HIS FARLOPA HOW IS IT!
286
00:12:07,234 --> 00:12:08,334
IS IT RICH?
287
00:12:09,501 --> 00:12:10,501
[Imitating a Spaniard] IS THAT
288
00:12:10,634 --> 00:12:12,667
THIS IS NOT MEXICO, DUDE,
289
00:12:12,801 --> 00:12:14,834
I DON'T KNOW WHAT...
290
00:12:15,601 --> 00:12:18,767
[Cell phone rings]
291
00:12:18,901 --> 00:12:20,200
WHAT WAS IT?
292
00:12:20,334 --> 00:12:22,400
>>I'M HUNGRY.
293
00:12:22,934 --> 00:12:24,567
LOOK, YOU ANSWER HIM!
294
00:12:24,701 --> 00:12:25,400
Cat: WHY ME?
295
00:12:25,534 --> 00:12:27,601
Rats: IT'S YOUR PATTERN.
296
00:12:27,734 --> 00:12:28,601
[Cell phone continues ringing]
297
00:12:28,734 --> 00:12:29,400
>>POT...
298
00:12:29,534 --> 00:12:32,501
>>YOU ANSWER HIM.
299
00:12:32,634 --> 00:12:33,901
[Cell phone continues ringing]
300
00:12:34,033 --> 00:12:35,300
[Beep] >>WHAT WAS THERE, SKIPPER?
301
00:12:35,434 --> 00:12:37,267
>>QUIUBO? DID THEY ALREADY COME DOWN TO THE
302
00:12:37,400 --> 00:12:39,501
TERESA MENDOZA?
303
00:12:39,634 --> 00:12:40,300
>>NO, WE HAVE NOT YET
304
00:12:40,501 --> 00:12:43,133
FOUND.
305
00:12:44,334 --> 00:12:45,200
>>AND THEY ALREADY RETURNED TO THE
306
00:12:45,334 --> 00:12:47,067
HOME NOW WHAT IS DAY?
307
00:12:47,200 --> 00:12:48,400
>>NO, YES, YES, SKIPPER, WE'RE ALREADY GONE
308
00:12:48,534 --> 00:12:49,601
A COUPLE OF TIMES!
309
00:12:49,734 --> 00:12:50,400
BUT IT'S NOT HERE! AT THE BEST
310
00:12:50,534 --> 00:12:51,567
HE WENT ON A TRIP.
311
00:12:51,701 --> 00:12:53,200
>>I'M GOING TO SEND THEM ON A TRIP,
312
00:12:53,334 --> 00:12:54,000
BUT TO HELL IF YOU DON'T
313
00:12:54,234 --> 00:12:55,567
FIND!
YOU HAVE UNTIL TOMORROW
314
00:12:55,701 --> 00:12:57,868
AT THE LATEST. IS IT CLEAR?
315
00:12:58,000 --> 00:12:59,100
Cat: YES, SKIPPER. YOU KNOW THAT
316
00:12:59,234 --> 00:13:00,534
THE MOST INTERESTED IN BREAKING
317
00:13:00,667 --> 00:13:02,667
THAT BITCH IS ME.
318
00:13:04,067 --> 00:13:04,734
AS SOON AS I SEND IT TO THE OTHER
319
00:13:04,868 --> 00:13:07,033
WORLD, I CALL IT.
320
00:13:07,167 --> 00:13:09,634
>>'THAT'S GOOD. NO, YES PA' P...
321
00:13:09,767 --> 00:13:12,467
IT IS NOT STUDY.
322
00:13:17,367 --> 00:13:18,634
>>I'M THROWING UP!
323
00:13:18,767 --> 00:13:19,467
AND NOW WHAT DO WE DO
324
00:13:19,601 --> 00:13:20,601
FIND THAT BITCH?
325
00:13:21,167 --> 00:13:22,734
>>I AM HUNGRY.
326
00:13:22,868 --> 00:13:24,534
>>LOOK... THIS IS A BOX
327
00:13:24,667 --> 00:13:26,501
OF MATCHES FROM A NIGHT...
328
00:13:26,634 --> 00:13:27,300
WHAT I BROUGHT FROM THE HOUSE
329
00:13:27,501 --> 00:13:29,033
THAT WHERE WE WENT.
330
00:13:29,167 --> 00:13:30,534
IF WE ARE GOING TO HUNT
331
00:13:30,667 --> 00:13:32,634
YOU HAVE TO START WITH SOMETHING, RIGHT?
332
00:13:32,767 --> 00:13:34,234
WHY DON'T WE GO TO THAT DING?
333
00:13:34,367 --> 00:13:35,234
THE SAME AND WE FIND THE
334
00:13:35,367 --> 00:13:36,033
SPANISH AND WE FORCE HER
335
00:13:36,300 --> 00:13:38,868
LET THE NET TELL US!
336
00:13:39,267 --> 00:13:40,934
[Aspirates]
337
00:13:41,067 --> 00:13:43,934
OR DO YOU HAVE A BETTER IDEA?
338
00:13:45,434 --> 00:13:46,100
Rats: STOP BEING
339
00:13:46,300 --> 00:13:48,100
SWALLOWING, FAT! LET'S GO!
340
00:13:48,234 --> 00:13:50,534
Pot: WELL THEN, LET'S GO.
341
00:13:52,033 --> 00:13:54,334
Cat: COME ON!
342
00:13:55,567 --> 00:13:57,534
>>I ALREADY UNDERSTAND IT. I WOULD HAVE IN
343
00:13:57,667 --> 00:13:59,334
THE COMPUTER THE RECORDS
344
00:13:59,467 --> 00:14:00,501
OPEN OPERATIONS
345
00:14:00,634 --> 00:14:03,300
LEGAL. AND THAT HANDSOME BOY
346
00:14:03,434 --> 00:14:04,801
THAT YOU JUST HIRE,
347
00:14:04,934 --> 00:14:06,501
I WOULD PUT IN OTHER RECORDS...
348
00:14:06,634 --> 00:14:07,968
WITH DIFFERENT KEYS... THE
349
00:14:08,100 --> 00:14:08,801
REAL OPERATIONS THAT
350
00:14:08,934 --> 00:14:11,868
LET'S DO. IT LOOKS GREAT TO ME!
351
00:14:12,000 --> 00:14:14,067
I LOVE IT!
352
00:14:14,200 --> 00:14:15,300
Teresa: THIS IS NOT A GAME.
353
00:14:15,434 --> 00:14:17,000
>>I KNOW, HONEY.
354
00:14:17,133 --> 00:14:17,801
>>YOU COULD GO TO JAIL.
355
00:14:17,968 --> 00:14:19,000
YOU DO KNOW, DON'T YOU?
356
00:14:19,133 --> 00:14:20,901
>>AH! AND? IF I DON'T HAVE
357
00:14:21,033 --> 00:14:22,601
PUPPY THAT BARKS AT ME. DON'T YOU
358
00:14:22,734 --> 00:14:24,000
WORRY ABOUT ME, TREASURE.
359
00:14:24,133 --> 00:14:25,701
>>NO, IF I DON'T CARE ABOUT YOU.
360
00:14:25,834 --> 00:14:26,901
NOT FOR YOU, NOT FOR ANYONE.
361
00:14:27,033 --> 00:14:28,100
AND STOP CALLING ME NOW
TREASURE THAT
362
00:14:28,234 --> 00:14:29,300
I AM NOT YOUR FRIEND NOR DO I THINK ABOUT IT
363
00:14:29,434 --> 00:14:30,968
BE. FROM TODAY YOU ARE MY
364
00:14:31,100 --> 00:14:33,701
SUBORDINATE, I AM YOUR BOSS.
365
00:14:33,834 --> 00:14:35,701
IS IT CLEAR?
366
00:14:35,834 --> 00:14:39,501
>>YES, OF COURSE. LADY.
367
00:14:39,634 --> 00:14:40,701
>>YOU CAN TUT ME. BUT
368
00:14:40,834 --> 00:14:41,501
JUST DON'T TAKE
369
00:14:41,634 --> 00:14:42,868
TRUST, DON'T WAIT
370
00:14:43,000 --> 00:14:45,300
NOTHING FROM ME.
371
00:14:45,434 --> 00:14:47,634
>>YES. I SAY, NO.
372
00:14:49,434 --> 00:14:51,734
PERMISSION.
373
00:14:52,234 --> 00:14:59,234
[♪]
374
00:15:00,167 --> 00:15:01,467
>>YOU HAVE LEFT HER TO DUST!
375
00:15:01,601 --> 00:15:02,834
>>AND WHAT DO YOU WANT ME TO DO?
376
00:15:02,968 --> 00:15:04,868
I CAN'T LOSE ANOTHER FRIEND.
377
00:15:05,000 --> 00:15:06,667
>>TERESA...
378
00:15:06,801 --> 00:15:07,868
>> HERE I AM.
379
00:15:08,000 --> 00:15:08,767
I BRING THE BEST ADVISOR
380
00:15:08,901 --> 00:15:11,133
POSSIBLE FOR THE COMPANY.
381
00:15:11,267 --> 00:15:14,567
HAPPENS!
382
00:15:14,701 --> 00:15:15,868
THE EX-COMMISSIONER SATURNINO
383
00:15:16,000 --> 00:15:17,567
JUAREZ.
384
00:15:17,701 --> 00:15:20,801
>>WHAT IS THIS DOING HERE?
ASSHOLES?!
385
00:15:21,000 --> 00:15:24,501
[♪]
386
00:15:26,300 --> 00:15:28,067
[♪ Musical Theme ♪]
387
00:15:29,968 --> 00:15:36,968
{\an8}[♪]
388
00:15:45,267 --> 00:15:52,267
{\an8}[♪]
389
00:16:05,267 --> 00:16:12,267
{\an8}[♪]
390
00:16:23,067 --> 00:16:30,067
{\an8}[♪]
391
00:16:40,033 --> 00:16:47,033
{\an8}[♪]
392
00:16:50,834 --> 00:16:53,901
{\an8}[♪ Musical theme ♪]
393
00:16:54,033 --> 00:16:54,701
{\an8}[Door slam]
394
00:16:54,868 --> 00:16:56,033
{\an8}>>BECAUSE OF HIM I WASTED FOR TWO YEARS
395
00:16:56,167 --> 00:16:58,267
{\an8}IN JAIL. WHAT'S WRONG WITH YOU?
RUSKY?
396
00:16:58,400 --> 00:16:59,067
{\an8}>>TESA ASKED ME FOR A PERSON WHO
397
00:16:59,300 --> 00:17:00,801
{\an8}KNOW ALL THE PEOPLE OF THE
398
00:17:00,934 --> 00:17:03,033
{\an8}POLITICS AND THE POLICE. CHILD THE
399
00:17:03,167 --> 00:17:05,133
KNOW EVERYONE AND
EVERYONE KNOWS
400
00:17:05,267 --> 00:17:06,601
TO NINO. IT IS THE BEST FOR THIS
401
00:17:06,734 --> 00:17:07,801
WORK.
402
00:17:07,934 --> 00:17:08,934
>>TERESA, THIS MISERABLE WAS THE
403
00:17:09,067 --> 00:17:10,133
WHO ORDERED TO PUT THE DRUGS IN
404
00:17:10,267 --> 00:17:12,234
IN MY HOUSE TO INCRIMINATE ME.
405
00:17:12,367 --> 00:17:13,634
>> COME ON, PATRICIA, DON'T BE
406
00:17:13,767 --> 00:17:15,334
RESPICIOUS. AFTER
EVERYTHING WAS
407
00:17:15,467 --> 00:17:17,834
GUILTY. YOU WERE COVERING UP FOR
408
00:17:17,968 --> 00:17:20,634
A NARCO. YOUR BOYFRIEND, THAT'S YES...
409
00:17:20,767 --> 00:17:21,534
BUT TRAFFICKER AT THE END AND IN THE END
410
00:17:21,667 --> 00:17:22,434
CAPE.
411
00:17:22,567 --> 00:17:23,434
>>AND YOU TELL ME THAT, ASSHOLE,
412
00:17:23,567 --> 00:17:25,133
THAT YOU WERE BEHIND THE MIDDLE
413
00:17:25,267 --> 00:17:25,934
KILO OF COCAINE TO STEAL IT
414
00:17:26,100 --> 00:17:27,000
AL RUSKY?
415
00:17:27,133 --> 00:17:29,234
>>THAT'S HISTORY. IN THIS
416
00:17:29,367 --> 00:17:30,601
BUSINESS HATE HAS A DATE
417
00:17:30,734 --> 00:17:33,033
EXPIRATION...
418
00:17:33,167 --> 00:17:35,601
IF THE ANCIENT ENEMY CAN
419
00:17:35,734 --> 00:17:38,300
BECOME A USEFUL PARTNER.
420
00:17:38,434 --> 00:17:41,067
[♪]
421
00:17:41,234 --> 00:17:43,634
>>YOU WHAT? DON'T YOU SAY ANYTHING?
422
00:17:45,067 --> 00:17:46,133
>>WELL I THINK THAT OLEG
423
00:17:46,267 --> 00:17:47,834
YOU'RE RIGHT. HATE HAS
424
00:17:47,968 --> 00:17:49,901
EXPIRATION... OR IT IS PASSED FOR A
425
00:17:50,033 --> 00:17:51,701
BEST MOMENT. REMEMBER
To EDDY
426
00:17:51,834 --> 00:17:53,334
ALVAREZ. HE LEFT ME ROTTING IN
427
00:17:53,467 --> 00:17:55,133
PRISON, IT STOLEN FROM ME EVERYTHING
428
00:17:55,267 --> 00:17:56,734
I HAD, AND LOOK AT IT
429
00:17:56,868 --> 00:17:57,634
DOING MY ERRANDS.
430
00:17:57,767 --> 00:17:58,434
AND WILL CONTINUE DOING THEM UNTIL
431
00:17:58,601 --> 00:18:00,400
PLEASE GIVE ME THE WIN.
432
00:18:00,534 --> 00:18:01,400
>>I DO NOT THINK TO DO THE
433
00:18:01,534 --> 00:18:03,801
SENT TO NO ONE. JUST ME
434
00:18:03,934 --> 00:18:06,100
I COMMIT TO DO MY PART
435
00:18:06,234 --> 00:18:08,701
AND TO CHARGE WELL FOR IT.
436
00:18:08,834 --> 00:18:11,100
COME ON, PATY, WHY NOT
437
00:18:11,234 --> 00:18:12,501
WE SIGN THE PEACES, AND WE
438
00:18:12,634 --> 00:18:14,667
WE DEDICATE TO
WIN A LOT, A LOT
439
00:18:14,801 --> 00:18:16,300
MONEY TO WITHDRAW HOW MUCH
440
00:18:16,434 --> 00:18:17,100
BEFORE WITH WELL POCKETS
441
00:18:17,234 --> 00:18:19,300
FULL? HUM?
442
00:18:19,434 --> 00:18:20,901
>>IT'S OKAY. IF YOU TWO WHAT
443
00:18:21,033 --> 00:18:22,167
YOU KNOW THIS GUY JUST LIKE
444
00:18:22,300 --> 00:18:23,400
ME, YOU WANT TO DO BUSINESS
445
00:18:23,534 --> 00:18:25,634
WITH HIM. THERE YOU!
446
00:18:26,634 --> 00:18:29,200
[Steps]
447
00:18:29,334 --> 00:18:31,100
AS FOR YOU, LISTEN TO ME WELL
448
00:18:31,234 --> 00:18:32,801
SON OF A P... WHEN I AM
449
00:18:32,934 --> 00:18:34,300
PRESENT, DON'T DON'T TALK TO ME,
450
00:18:34,434 --> 00:18:35,300
DON'T LOOK AT ME, DON'T SEE ME!
451
00:18:35,434 --> 00:18:37,734
IS IT CLEAR?!
452
00:18:38,534 --> 00:18:40,400
>>LIKE WATER.
453
00:18:40,534 --> 00:18:42,133
...O'FARRELL.
454
00:18:42,801 --> 00:18:46,167
[♪]
455
00:18:46,300 --> 00:18:47,534
[Door slam]
456
00:18:47,934 --> 00:18:50,367
WELL, FRIENDS.
457
00:18:50,501 --> 00:18:52,467
AND NOW TELL ME WHAT IT'S GOING TO
458
00:18:52,601 --> 00:18:53,267
BE THE BIG BUSINESS THAT
459
00:18:53,400 --> 00:18:55,701
DO WE HAVE IN DOORS?
460
00:18:55,834 --> 00:18:56,701
>>IT IS 15 TONS
461
00:18:56,834 --> 00:18:59,501
OF COCAINE.
462
00:19:01,801 --> 00:19:03,868
[Paty's hurried steps]
463
00:19:04,000 --> 00:19:04,734
>> FROM WHAT I SEE YOU WAS
464
00:19:04,868 --> 00:19:05,767
WORSE THAN ME.
465
00:19:05,901 --> 00:19:06,567
>>AH! I MUST LOVE THEM VERY MUCH
466
00:19:06,834 --> 00:19:08,067
MEXICAN TO STAND FOR THIS.
467
00:19:08,200 --> 00:19:08,868
INSIDE IS THE GUY THAT ME
468
00:19:09,000 --> 00:19:10,367
HE MADE TWO SHOTS AND SENT ME TO THE
469
00:19:10,501 --> 00:19:12,234
JAIL. I NEED A SHOT, OF
470
00:19:12,367 --> 00:19:14,267
TRUTH... DO YOU WANT?
471
00:19:14,400 --> 00:19:16,033
>> YOU HAVE NOT CHANGED. I FEEL
472
00:19:16,167 --> 00:19:18,601
LIKE IN THE OLD TIMES.
473
00:19:18,868 --> 00:19:19,534
[Paty sucks]
474
00:19:19,767 --> 00:19:20,567
THE ONE I DON'T RECOGNIZE IS THE
475
00:19:20,701 --> 00:19:23,033
MEXICAN. WHAT HAPPENED TO HIM?
476
00:19:23,167 --> 00:19:24,968
WHY ARE YOU TREATING ME LIKE THIS?
477
00:19:25,100 --> 00:19:26,767
>>TO YOU AND EVERYONE YOU LOVE.
478
00:19:26,901 --> 00:19:27,567
SHE FEELS SHE HAS A
479
00:19:27,767 --> 00:19:29,667
DAMN IT. THEY HAVE KILLED HIM
480
00:19:29,801 --> 00:19:31,868
TO MANY PEOPLE SHE LOVED.
481
00:19:32,000 --> 00:19:32,767
>>AND YOU ARE NOT AFRAID,
482
00:19:32,901 --> 00:19:34,367
BEING SUCH FRIENDS WITH HER?
483
00:19:34,501 --> 00:19:35,467
>>THE RUSSIAN TRIED TO KILL ME
484
00:19:35,601 --> 00:19:37,267
ONCE, AND HE DIDN'T MAKE IT.
485
00:19:37,400 --> 00:19:39,434
I MUST BE IMMUNE. I SAY.
486
00:19:39,567 --> 00:19:40,467
THEY HAVE KILLED THE MEXICAN WOMAN
487
00:19:40,601 --> 00:19:42,067
TWO HUSBANDS, TO A COUNTRYSIDE OF THEIRS
488
00:19:42,200 --> 00:19:43,367
AND THEIR CHILDREN IN MEXICO, AND ONE
489
00:19:43,501 --> 00:19:46,067
FRIEND AND HER SON HERE. IT'S YOUR
490
00:19:46,200 --> 00:19:47,067
"PERSONAL CEMETERY",
LIKE HER
491
00:19:47,200 --> 00:19:48,968
HE CALLS HIM. DON'T TAKE IT INTO
492
00:19:49,100 --> 00:19:52,033
ACCOUNT. REALLY, RABBIT.
493
00:19:52,167 --> 00:19:54,801
>>POOR WOMAN!
494
00:19:55,801 --> 00:19:57,868
>>WE HAVE TO DECIDE WHAT TO DO WITH
495
00:19:58,000 --> 00:19:59,567
THE EXTRA 10 TONS THAT
496
00:19:59,701 --> 00:20:01,367
SEND THE MEDELLÍN POSTER.
497
00:20:01,501 --> 00:20:02,467
I REPEAT, IN MOSCOW THEY DO NOT WANT
498
00:20:02,601 --> 00:20:05,067
TAKE A RISK WITH SO MUCH.
499
00:20:05,200 --> 00:20:06,267
>>AND THAT IS A COMMITMENT THAT
500
00:20:06,400 --> 00:20:07,868
I HAVE WITH SÁNCHEZ-GODOY.
501
00:20:08,000 --> 00:20:09,868
AND YOU KNOW THAT CREDIBILITY
502
00:20:10,000 --> 00:20:12,133
IT'S HALF OF THIS BUSINESS.
503
00:20:12,267 --> 00:20:13,667
>>I KNOW WHO WOULD BE VERY
504
00:20:13,801 --> 00:20:14,734
INTERESTED IN BUYING FROM YOU
505
00:20:14,868 --> 00:20:18,334
THOSE 10 TONS.
506
00:20:18,467 --> 00:20:19,167
BUT WE COULD NOT COMMIT
507
00:20:19,300 --> 00:20:21,868
NO FAILURE, OR WE WOULD END
508
00:20:22,000 --> 00:20:22,834
IN HELL DANCING A
509
00:20:22,968 --> 00:20:26,868
TARANTELLA. THOSE PEOPLE PLAY
510
00:20:27,000 --> 00:20:30,067
IN THE FIRST DIVISION, TERESA.
511
00:20:30,200 --> 00:20:30,868
YOU KNOW WHO I'M ABOUT
512
00:20:31,033 --> 00:20:33,067
TALKING, RIGHT, OLEG?
513
00:20:33,200 --> 00:20:34,300
>>OW.
514
00:20:36,601 --> 00:20:38,267
[Exhales deeply]
515
00:20:38,400 --> 00:20:39,934
>>IF EVERYTHING GOES WELL, THEY WILL BE
516
00:20:40,067 --> 00:20:43,167
HAPPY. THESE
GOOD CUSTOMERS
517
00:20:43,300 --> 00:20:44,434
THEY WILL WANT MANY MORE TONS,
518
00:20:44,567 --> 00:20:46,968
BUT... IF SOMETHING FAILS, TESA,
519
00:20:47,100 --> 00:20:49,534
YOU WILL HAVE SERIOUS PROBLEMS.
520
00:20:49,667 --> 00:20:51,167
THERE IS NO MORE DANGEROUS CLAN
521
00:20:51,300 --> 00:20:52,734
AND VIOLENT THROUGHOUT
522
00:20:52,868 --> 00:20:53,567
MEDITERRANEAN.
523
00:20:53,701 --> 00:20:56,534
>>ARE THEY WORSE THAN THE TURKS?
524
00:20:56,667 --> 00:20:57,467
I CAN'T LOOK BAD WITH
525
00:20:57,601 --> 00:20:58,868
THE MEDELLÍN CARTEL.
526
00:20:59,000 --> 00:21:01,133
WHO ARE THOSE GUYS?
527
00:21:01,267 --> 00:21:03,000
>>THE ITALIANS.
528
00:21:03,133 --> 00:21:04,100
THE SOUTHERN CAMOLIA.
529
00:21:04,234 --> 00:21:05,133
>>HUH... I SPEAK ITALIAN
530
00:21:05,267 --> 00:21:06,734
PERFECTLY. IF YOU WANT,
531
00:21:06,868 --> 00:21:09,534
I CAN BE YOUR TRANSLATOR.
532
00:21:09,667 --> 00:21:11,400
[Paty's contained laughter]
533
00:21:11,534 --> 00:21:12,534
>>I NEED YOU TO GET US ONE
534
00:21:12,667 --> 00:21:15,367
APPOINTMENT WITH THEM TOMORROW.
535
00:21:16,634 --> 00:21:22,534
[♪]
536
00:21:29,634 --> 00:21:30,934
>>I NEED ALL THE INFORMATION
537
00:21:31,067 --> 00:21:31,834
THAT YOU CAN COLLECT ME FROM
538
00:21:31,968 --> 00:21:33,434
THAT CASE.
539
00:21:33,567 --> 00:21:35,968
EXACTLY 10 YEARS AGO.
540
00:21:36,667 --> 00:21:38,267
YES...
541
00:21:38,968 --> 00:21:41,634
AH! WELL THAT'S GOOD.
542
00:21:41,767 --> 00:21:45,033
ONE MOMENT.
543
00:21:45,167 --> 00:21:48,634
FOR THAT STRANGE EXPRESSION
544
00:21:48,767 --> 00:21:49,834
WHAT DO YOU BRING, I HAVE
AFRAID TO ASK
545
00:21:49,968 --> 00:21:50,634
IF IT IS A GOOD OR A BAD
546
00:21:50,767 --> 00:21:53,334
NEWS.
547
00:21:53,467 --> 00:21:56,033
>>YOU ARE VERY DETAILIST,
548
00:21:56,167 --> 00:21:58,434
OBSERVER AND YOU HAVE
REASON, I AM
549
00:21:58,567 --> 00:22:00,267
HAPPY BECAUSE THEY ARE COMING OUT
550
00:22:00,400 --> 00:22:02,601
THINGS JUST THE WAY YOU WANTED.
551
00:22:02,734 --> 00:22:03,567
>>OH!...
552
00:22:03,701 --> 00:22:05,767
I DON'T CATCH IT, I DON'T UNDERSTAND.
553
00:22:05,901 --> 00:22:06,601
>>AND I AM ALSO SAD
554
00:22:06,734 --> 00:22:07,767
BECAUSE...
555
00:22:07,901 --> 00:22:08,801
WELL WE'RE NO LONGER GOING TO WORK
556
00:22:08,934 --> 00:22:10,367
IN THE SAME DEPARTMENT.
557
00:22:10,501 --> 00:22:11,200
>>ARE YOU LEAVING?
558
00:22:11,334 --> 00:22:12,467
>>NO...
559
00:22:12,601 --> 00:22:15,167
NO. THE ONE WHO LEAVES IS YOU, WILLY.
560
00:22:15,300 --> 00:22:16,467
THE BOSS IS GOING TO COME TO TALK
561
00:22:16,601 --> 00:22:18,200
WITH YOU IN A FEW MINUTES.
562
00:22:18,334 --> 00:22:20,300
WASHINGTON ACCEPTED AND
563
00:22:20,434 --> 00:22:21,601
HE IS GOING TO SEND TO SPAIN.
564
00:22:21,734 --> 00:22:22,701
SO GET READY, BECAUSE
565
00:22:22,834 --> 00:22:24,100
YOU TRAVEL TO EUROPE AS AN AGENT
566
00:22:24,234 --> 00:22:26,400
DEA DELEGATE.
567
00:22:26,534 --> 00:22:27,400
YOU HAVE VERY FEW DAYS LEFT OF
568
00:22:27,534 --> 00:22:29,934
FREEDOM TO TERESA MENDOZA.
569
00:22:32,234 --> 00:22:32,901
>>GOOD?
570
00:22:33,033 --> 00:22:34,300
YES, YES.
571
00:22:34,434 --> 00:22:35,767
HERE I AM STILL.
572
00:22:35,901 --> 00:22:36,901
EH... WHEN THEY HAVE THE
573
00:22:37,033 --> 00:22:38,167
INFORMATION, THEY TALK TO ME.
574
00:22:38,300 --> 00:22:40,300
DOES IT COME OUT?
575
00:22:40,634 --> 00:22:44,367
[♪]
576
00:22:46,200 --> 00:22:51,334
[♪ Theme music ♪]
577
00:22:52,334 --> 00:22:53,767
>>BUT DON'T WORRY
FOR NOTHING,
578
00:22:53,901 --> 00:22:54,901
I'M STILL ASSIGNED TO THE CASE, SO
579
00:22:55,033 --> 00:22:55,901
I'M GOING TO BE HERE
580
00:22:56,033 --> 00:22:57,434
TO SERVE YOU.
581
00:22:57,734 --> 00:22:59,067
I SEE YOU SURPRISED.
582
00:22:59,200 --> 00:23:00,868
>>WELL...
583
00:23:01,000 --> 00:23:02,534
WELL YES. THE NETA, YES.
584
00:23:02,667 --> 00:23:03,634
THANK YOU, RIGHT? And...
585
00:23:03,767 --> 00:23:05,267
WELL...
586
00:23:05,400 --> 00:23:08,767
YOU ARE WAITING FOR NEWS FROM ME.
587
00:23:08,901 --> 00:23:10,267
>>I'M DYING TO WAIT FOR YOU.
588
00:23:11,200 --> 00:23:13,467
[Cell phone rings]
589
00:23:13,801 --> 00:23:15,534
WELL?
590
00:23:15,667 --> 00:23:18,067
YES, YES... EVERYTHING IS READY.
591
00:23:18,200 --> 00:23:20,968
PERFECT.
592
00:23:21,100 --> 00:23:21,868
A CAR IS WAITING FOR YOU
593
00:23:22,000 --> 00:23:22,667
DOWN TO TAKE YOU TO THE
594
00:23:22,934 --> 00:23:24,167
AIRPORT.
595
00:23:24,300 --> 00:23:26,567
BOSS, GOOD TRIP.
596
00:23:27,801 --> 00:23:34,801
[♪]
597
00:23:39,400 --> 00:23:46,400
[Various noises]
598
00:23:47,734 --> 00:23:48,467
>>AFTER A FEW DRINKS
AND SOME
599
00:23:48,601 --> 00:23:49,434
STRIPES, EVERYTHING IS GOING TO APPEAR TO YOU
600
00:23:49,567 --> 00:23:51,367
WONDERFUL.
601
00:23:51,501 --> 00:23:52,167
I HAVE ALREADY SPOKE WITH TEO,
602
00:23:52,467 --> 00:23:54,667
IT'S INSIDE.
603
00:23:54,801 --> 00:24:01,868
[♪]
604
00:24:07,634 --> 00:24:14,634
[♪]
605
00:24:24,367 --> 00:24:31,367
[♪]
606
00:24:44,067 --> 00:24:45,000
>>PATY TOLD ME THAT
607
00:24:45,133 --> 00:24:46,033
YOU WANTED TO TALK TO ME.
608
00:24:46,167 --> 00:24:47,300
>>YES.
609
00:24:47,434 --> 00:24:49,567
SIT DOWN, RIGHT?
610
00:24:51,434 --> 00:24:53,300
>>WELL, WHY CAN I
611
00:24:53,434 --> 00:24:54,801
BE USEFUL TO YOU?
612
00:24:54,934 --> 00:24:57,968
>> FOR MANY THINGS, HONEY.
613
00:24:58,968 --> 00:25:00,100
WELL, YOU TWO ALREADY
614
00:25:00,234 --> 00:25:01,300
YOU KNOW AND ARE GOING TO TALK ABOUT A
615
00:25:01,434 --> 00:25:02,767
TOPIC THAT BORES ME VERY MUCH.
616
00:25:02,901 --> 00:25:03,901
SO I'M GOING TO DO THINGS
617
00:25:04,033 --> 00:25:06,000
MORE IN ACCORDANCE WITH THE NIGHT.
618
00:25:06,133 --> 00:25:08,901
I GO BACK DOWN.
619
00:25:11,133 --> 00:25:14,701
>>OUR FRIEND IS VERY CRAZY.
620
00:25:14,834 --> 00:25:16,501
>>YES. THE TRUTH IS THAT ALWAYS
621
00:25:16,634 --> 00:25:18,567
IT HAS BEEN LIKE THIS.
622
00:25:18,701 --> 00:25:19,567
SHE IS A LOVELY GIRL,
623
00:25:19,701 --> 00:25:20,501
USED TO
SATISFY EVERYONE
624
00:25:20,634 --> 00:25:23,167
YOUR WHIMES AT ANY PRICE.
625
00:25:23,300 --> 00:25:23,968
IT'S HARD FOR ME TO IMAGINE IT
626
00:25:24,100 --> 00:25:25,701
IN JAIL.
627
00:25:25,834 --> 00:25:26,667
>>YES, NO.
628
00:25:26,801 --> 00:25:27,467
WELL, OF COURSE SHE WAS THE ONLY ONE
629
00:25:27,634 --> 00:25:30,300
THAT DID NOT LOOK LIKE A PRISON.
630
00:25:30,434 --> 00:25:31,601
SO TALL, SO BEAUTIFUL...
631
00:25:31,734 --> 00:25:32,467
Oops...
632
00:25:32,601 --> 00:25:34,367
EVERYONE ENVED HER!
633
00:25:34,501 --> 00:25:35,801
OTHERS WANTED TO KILL HER.
634
00:25:35,934 --> 00:25:36,801
OTHERS DIDN'T DARE,
635
00:25:36,934 --> 00:25:38,300
THEY RESPECTED HER...
636
00:25:38,434 --> 00:25:39,567
AND THOSE WHO DID NOT, HAD IT
637
00:25:39,701 --> 00:25:40,367
TALKING ABOUT HER, ABOUT HER
638
00:25:40,601 --> 00:25:41,901
FAME, OF YOUR MONEY...
639
00:25:42,033 --> 00:25:44,767
AH... FINALLY.
640
00:25:44,901 --> 00:25:46,300
>> AND YOU?
641
00:25:46,434 --> 00:25:48,868
>>I WAS ALWAYS HER FRIEND.
642
00:25:49,000 --> 00:25:49,667
>>NO, I MEAN HOW YOU TELL THEM
643
00:25:49,868 --> 00:25:52,300
YOU WENT IN JAIL.
644
00:25:52,434 --> 00:25:55,667
>>ARE YOU MEASURING ME?
645
00:25:55,801 --> 00:25:56,601
DO YOU WANT TO KNOW HOW I REACT
646
00:25:56,734 --> 00:25:58,567
WHEN I FEEL LIFE IN
647
00:25:58,701 --> 00:26:00,868
AGAINST ME OR WHAT?
648
00:26:01,000 --> 00:26:02,367
RIGHT?
649
00:26:02,501 --> 00:26:04,334
[Laughs]
650
00:26:04,467 --> 00:26:06,033
>>YOU ARE VERY SKILLED, TERESA.
651
00:26:06,167 --> 00:26:06,934
I THINK YOU AND I ARE LEAVING
652
00:26:07,067 --> 00:26:08,434
TO WEAR VERY WELL.
653
00:26:08,567 --> 00:26:10,467
>>I THINK YES.
654
00:26:10,901 --> 00:26:11,567
AND WELL, IF YOU WANT TO KNOW WHAT
655
00:26:11,701 --> 00:26:13,467
WHAT HAPPENED IN JAIL...
656
00:26:13,601 --> 00:26:14,968
GOOD...
657
00:26:15,100 --> 00:26:15,868
THE TRUTH IS THAT THERE I DISCOVERED
658
00:26:16,000 --> 00:26:17,667
A TERESA I DIDN'T KNOW.
659
00:26:17,801 --> 00:26:18,634
I CAN ASSURE YOU THAT
THE TERESA
660
00:26:18,767 --> 00:26:20,167
WHAT ARE YOU SEEING RIGHT NOW, IT'S NOT
661
00:26:20,300 --> 00:26:21,267
THE SAME ONE WHO ENTERED PRISON
662
00:26:21,400 --> 00:26:23,467
HUH? SURE.
663
00:26:26,167 --> 00:26:27,133
I DON'T KNOW, I LIKE I DON'T LIKE IT
664
00:26:27,267 --> 00:26:28,033
THIS PLACE TO TALK ABOUT
665
00:26:28,167 --> 00:26:28,834
BUSINESS.
666
00:26:28,968 --> 00:26:29,634
WHAT DO YOU THINK IF WE BETTER
667
00:26:29,834 --> 00:26:31,534
SEE YOU TOMORROW AT THE OFFICE?
668
00:26:31,667 --> 00:26:32,334
>>IT LOOKS GREAT TO ME.
669
00:26:32,467 --> 00:26:35,000
>>ALL RIGHT, SEE YOU.
670
00:26:36,100 --> 00:26:36,968
>>THERE IS VERY GOOD ENVIRONMENT THERE
671
00:26:37,100 --> 00:26:37,868
BELOW, HOW ABOUT I INVITE YOU TO
672
00:26:38,000 --> 00:26:40,167
A DRINK?
673
00:26:40,300 --> 00:26:40,968
SEEM TO YOU?
674
00:26:41,100 --> 00:26:42,567
>>GOOD.
675
00:26:42,701 --> 00:26:45,367
COME ON.
676
00:26:46,601 --> 00:26:51,801
[Car engine noise]
677
00:26:52,501 --> 00:26:53,567
>>HERE IT IS.
678
00:26:53,701 --> 00:26:55,567
Cat: COME ON.
679
00:27:00,601 --> 00:27:01,467
RATS, STOP TAKING THAT
680
00:27:01,601 --> 00:27:03,367
MOTHER, MAN!
681
00:27:03,868 --> 00:27:04,634
AND I DON'T WANT YOU TO LEAVE EITHER
682
00:27:04,767 --> 00:27:05,734
FUCKING WITH OLD WOMEN
IN THERE.
683
00:27:05,868 --> 00:27:06,601
YOU HAVE TO BE CONCENTRATED
684
00:27:06,734 --> 00:27:07,601
WELL!
685
00:27:08,033 --> 00:27:09,234
>>YES, PATRONY, WHAT
686
00:27:09,367 --> 00:27:10,501
YOU SAY, HUH?
687
00:27:10,634 --> 00:27:12,934
I WILL SURELY PAY HIM.
688
00:27:13,067 --> 00:27:13,834
>> JUST BECAUSE YOU ARE FAMILY
689
00:27:13,968 --> 00:27:15,667
OF THE PATTERN, SON'E...
690
00:27:17,267 --> 00:27:24,267
[♪]
691
00:27:29,267 --> 00:27:34,133
[♪]
692
00:27:34,267 --> 00:27:36,267
>>WELCOME TO MY PARTY.
693
00:27:37,067 --> 00:27:40,501
[♪]
694
00:27:44,801 --> 00:27:46,534
[brake]
695
00:27:49,767 --> 00:27:51,534
>>IT WAS ALREADY...
696
00:27:51,667 --> 00:27:52,334
Oleg: NOTHING HAPPENS,
697
00:27:52,567 --> 00:27:54,300
FOLLOW, FOLLOW.
698
00:27:55,934 --> 00:28:00,434
[♪]
699
00:28:02,934 --> 00:28:09,934
[♪]
700
00:28:16,701 --> 00:28:18,534
>>WHERE ARE THEY TAKING US?
701
00:28:19,701 --> 00:28:20,501
Cat: NOW RATS, WHAT US
702
00:28:20,634 --> 00:28:22,601
THEY'RE GOING TO SCRUB.
703
00:28:22,734 --> 00:28:23,400
>>WHERE DO YOU THINK WE
704
00:28:23,567 --> 00:28:24,601
DO YOU CARRY THESE?
705
00:28:24,734 --> 00:28:25,501
ON THE ROLLER COASTER OR WHAT?
706
00:28:25,634 --> 00:28:26,567
>>BUT AT LEAST WE ARE
707
00:28:26,701 --> 00:28:27,767
ALIVE FOR THE LOVE OF GOD!
708
00:28:27,901 --> 00:28:28,767
SHUT UP, THEY ARE GOING TO GET US
709
00:28:28,901 --> 00:28:30,901
SCRUB AT ONCE.
710
00:28:32,000 --> 00:28:34,067
>>THESE STINKING RUSSIANS
711
00:28:34,200 --> 00:28:35,567
THEY DON'T VIBE ME.
712
00:28:35,701 --> 00:28:37,300
OTHER THAN RETURN TO
THE GREAT,
713
00:28:37,434 --> 00:28:39,267
NOT CRAZY, CAT! AND WHAT DO WE
714
00:28:39,400 --> 00:28:41,901
TORTURE THESE P...?
715
00:28:43,734 --> 00:28:44,767
LET'S SEE, GUY, HOW DO YOU SAY
716
00:28:44,901 --> 00:28:46,367
GOODBYE IN RUSSIAN?
717
00:28:46,501 --> 00:28:47,701
>>DASVIDANYA.
718
00:28:47,834 --> 00:28:50,367
>>WHAT WHAT?
719
00:28:50,501 --> 00:28:52,200
>>DASVIDANYA.
720
00:28:52,334 --> 00:28:54,968
>>EH... QUIT, GUY.
721
00:28:55,100 --> 00:28:56,801
I PREFER UNTIL THE SIGHT.
722
00:28:56,934 --> 00:28:57,868
[Blows]
723
00:28:58,000 --> 00:28:58,968
>>DO NOT OPEN...
724
00:28:59,100 --> 00:29:00,467
GO THERE...
725
00:29:02,367 --> 00:29:09,367
[♪]
726
00:29:22,601 --> 00:29:29,601
[♪]
727
00:29:32,167 --> 00:29:35,267
[♪]
728
00:29:35,400 --> 00:29:42,400
[♪]
729
00:29:55,067 --> 00:30:02,067
[♪]
730
00:30:26,367 --> 00:30:27,033
>>GIVE IT, GIVE IT...
731
00:30:27,167 --> 00:30:29,767
>>OW! NO.
732
00:30:29,901 --> 00:30:33,434
>>I DON'T WANT ONE MORE MESS.
733
00:30:33,567 --> 00:30:36,501
[gasps]
734
00:30:38,801 --> 00:30:45,801
[Blows] [Screams]
735
00:30:47,968 --> 00:30:54,968
[♪]
736
00:31:02,634 --> 00:31:07,200
>>LET'S SEE, GENTLEMEN.
737
00:31:07,334 --> 00:31:08,434
WHO IS GOING TO TELL ME ABOUT THE
738
00:31:08,567 --> 00:31:09,434
PERSON WHO ORDERED TO BE KILLED
739
00:31:09,567 --> 00:31:11,133
TERESA?
740
00:31:11,267 --> 00:31:11,934
>>I TELL YOU...
741
00:31:12,133 --> 00:31:12,834
COME.
742
00:31:13,000 --> 00:31:15,033
YOUR MOM, CA...
743
00:31:15,167 --> 00:31:17,434
[Blow]
744
00:31:30,567 --> 00:31:33,367
[Blows] [Exclamations]
745
00:31:40,267 --> 00:31:47,267
[♪]
746
00:32:03,934 --> 00:32:08,734
[♪ Theme music ♪]
747
00:32:09,801 --> 00:32:10,901
>>YOU HAVE TO JUSTIFY VERY WELL
748
00:32:11,033 --> 00:32:11,901
YOUR INCOME AND YOUR
749
00:32:12,033 --> 00:32:13,767
LEVEL OF LIFE.
750
00:32:13,901 --> 00:32:15,300
WE WILL SAVE ALL
THE INVOICES,
751
00:32:15,434 --> 00:32:16,567
EVEN THOSE YOU CREATE WITHOUT
IMPORTANCE.
752
00:32:17,033 --> 00:32:18,167
BECAUSE THE HACIENDA DOESN'T GET INTO
753
00:32:18,300 --> 00:32:19,100
THE PAELLAS OR IN THE CUPS THAT
754
00:32:19,234 --> 00:32:19,901
YOU TAKE IT.
755
00:32:20,033 --> 00:32:20,701
[Laughs]
756
00:32:20,834 --> 00:32:21,901
CAN I EXPLAIN?
757
00:32:22,033 --> 00:32:23,801
>>LOOK, ALJARAFE, WHAT YOU ARE
758
00:32:23,934 --> 00:32:25,400
SAYING IT'S THE JOB THAT I
759
00:32:25,534 --> 00:32:26,601
I DO EVERY DAY.
760
00:32:26,734 --> 00:32:27,667
COME ON, YOU ARE NOT CONTRIBUTING
761
00:32:27,801 --> 00:32:29,100
NOTHING NEW, DUDE.
762
00:32:29,234 --> 00:32:30,901
>>EDDY...
763
00:32:31,934 --> 00:32:33,000
>>IT'S TIME TO START
764
00:32:33,133 --> 00:32:34,801
TO THINK BIG.
765
00:32:34,934 --> 00:32:36,267
I PROPOSE TO OPEN A LINE THAT
766
00:32:36,400 --> 00:32:38,767
JUSTIFY LARGE INVESTMENTS.
767
00:32:38,901 --> 00:32:39,968
AND DELETE ALL THE
FOOTPRINTS OF
768
00:32:40,100 --> 00:32:40,868
THE LARGE QUANTITIES
OF MONEY
769
00:32:41,000 --> 00:32:42,400
THEY ARE GOING TO START ARRIVING.
770
00:32:42,534 --> 00:32:44,901
>>AND HOW CAN THIS BE DONE?
771
00:32:45,033 --> 00:32:46,467
>>VERY EASY.
772
00:32:46,601 --> 00:32:47,267
CREATING COMPANIES
GHOSTS THAT
773
00:32:47,501 --> 00:32:48,300
JUSTIFY EVEN THE GASOLINE
774
00:32:48,434 --> 00:32:49,267
THE CARS.
775
00:32:49,400 --> 00:32:50,067
THAT IS, INVOICES.
776
00:32:50,267 --> 00:32:52,000
THE MORE, THE BETTER.
777
00:32:52,133 --> 00:32:53,801
IF WE PAY OUR TAXES,
778
00:32:53,934 --> 00:32:54,701
HACIENDA WILL NOT MESS WITH
779
00:32:54,834 --> 00:32:55,601
US.
780
00:32:55,734 --> 00:32:57,601
DO YOU FOLLOW ME?
781
00:32:57,734 --> 00:33:00,367
>>PERFECTLY.
782
00:33:00,501 --> 00:33:01,234
>> AND YOU, PATY?
783
00:33:01,367 --> 00:33:02,167
>>COURSE.
784
00:33:02,300 --> 00:33:04,100
THE OLD PRINCIPLE OF "WHERE
785
00:33:04,234 --> 00:33:06,067
YOU ARE, DO WHAT YOU SEE".
786
00:33:06,200 --> 00:33:06,868
>>EXACT.
787
00:33:07,000 --> 00:33:08,567
AND IF YOU GIVE ME A WIDE SLEEVE,
788
00:33:08,701 --> 00:33:09,367
WE WILL MAKE A HOLDING COMPANY
789
00:33:09,567 --> 00:33:10,467
FOR THE DISTRIBUTION OF DIVIDENDS.
790
00:33:10,601 --> 00:33:11,767
AND YOU WILL CONTINUE TO BE
791
00:33:11,901 --> 00:33:13,634
INSOLVENT BEFORE THE FISCO.
792
00:33:13,767 --> 00:33:15,334
EASY!
793
00:33:15,467 --> 00:33:16,467
>>THAT'S FANTASTIC!
794
00:33:16,601 --> 00:33:17,767
WHAT DO YOU THINK, TERESA?
795
00:33:17,901 --> 00:33:20,968
>>IS THAT ALL?
796
00:33:21,100 --> 00:33:21,934
>>NO.
797
00:33:22,067 --> 00:33:23,067
LET'S TALK NOW ABOUT
798
00:33:23,200 --> 00:33:24,167
REALLY IMPORTANT.
799
00:33:24,300 --> 00:33:27,167
OF THE NUMBER OF MILLIONS THAT
800
00:33:27,300 --> 00:33:28,067
THEY WILL NOT SET FOOT ON SPANISH LAND.
801
00:33:28,200 --> 00:33:29,267
YES, YOU WILL SEE.
802
00:33:29,400 --> 00:33:30,334
FOR THIS, I WOULD ADVISE YOU TO
803
00:33:30,467 --> 00:33:31,667
WE WILL STOP USING
804
00:33:31,801 --> 00:33:33,234
THE ACCOUNTS OF GIBRALTAR.
805
00:33:33,367 --> 00:33:35,033
>>HEARING, EDDY?
806
00:33:35,167 --> 00:33:36,868
TEO IS SAYING JUST WHAT
807
00:33:37,000 --> 00:33:37,667
CONTRARY TO WHAT YOU SAID.
808
00:33:37,834 --> 00:33:38,501
>>YES?
809
00:33:38,701 --> 00:33:39,367
THEN GIBRALTAR WORKS
810
00:33:39,501 --> 00:33:40,334
PERFECTLY.
811
00:33:40,467 --> 00:33:41,167
AND THAT'S SOMETHING YOU KNOW
812
00:33:41,300 --> 00:33:42,133
EVERYONE.
813
00:33:42,267 --> 00:33:43,567
>>COME ON, DON'T SAY THICKNESS.
814
00:33:43,701 --> 00:33:44,567
GIBRALTAR IS A PRESSURE COOKER
815
00:33:44,701 --> 00:33:47,601
ABOUT TO BURST.
816
00:33:49,701 --> 00:33:51,601
[♪]
817
00:33:56,601 --> 00:33:59,367
[♪]
818
00:34:01,734 --> 00:34:03,300
>>WHAT ARE YOU DOING HERE, MERCEDES?
819
00:34:03,434 --> 00:34:05,033
WHAT, YOU CAN'T SLEEP?
820
00:34:05,167 --> 00:34:06,734
OH?
821
00:34:06,868 --> 00:34:08,033
>>OH...
822
00:34:08,167 --> 00:34:09,400
I AM DISTRESSED, EPIFANIO.
823
00:34:09,534 --> 00:34:10,734
>>WHY?
824
00:34:10,868 --> 00:34:12,634
>>TWO DAYS I HAVE TRIED
825
00:34:12,767 --> 00:34:14,000
TO LOCATE MY SON RAMIRO
826
00:34:14,133 --> 00:34:15,400
AND I CAN'T.
827
00:34:15,534 --> 00:34:16,934
HE LEFT WITH A SUITCASE AND NOT
828
00:34:17,067 --> 00:34:18,934
HE WANTED TO TELL ME WHERE HE WAS GOING.
829
00:34:19,067 --> 00:34:20,634
DO YOU KNOW?
830
00:34:20,767 --> 00:34:21,934
>>WELL WHY AM I GOING TO
831
00:34:22,067 --> 00:34:23,300
KNOW IT!
832
00:34:23,467 --> 00:34:24,133
NO, NO...
833
00:34:24,267 --> 00:34:24,934
WELL... IT WILL SURELY WALK
834
00:34:25,100 --> 00:34:25,934
WORKING, RIGHT?
835
00:34:26,067 --> 00:34:27,934
THINGS FROM WORK, FROM THE JOB.
836
00:34:28,067 --> 00:34:29,033
>>BUT BEFORE, I WOULD NOT EVEN
837
00:34:29,167 --> 00:34:30,133
HE ANSWERED THE PHONE AND
838
00:34:30,267 --> 00:34:31,601
HE SAID HE COULD NOT HELP ME.
839
00:34:31,734 --> 00:34:32,834
AND NOW...
840
00:34:32,968 --> 00:34:34,734
NOT EVEN THAT.
841
00:34:34,868 --> 00:34:36,734
>>DON'T WORRY, WOMAN,
842
00:34:36,868 --> 00:34:37,701
YOU MUST BE WORKING,
843
00:34:37,834 --> 00:34:39,234
THEN HE TALKS TO YOU.
844
00:34:39,367 --> 00:34:41,567
GO TO SLEEP, GO ON.
845
00:34:43,267 --> 00:34:49,367
[♪]
846
00:34:50,868 --> 00:34:55,067
[sputters]
847
00:34:59,133 --> 00:35:03,400
[♪]
848
00:35:18,133 --> 00:35:21,133
[Blows] [Moans]
849
00:35:25,200 --> 00:35:32,200
[♪]
850
00:35:35,934 --> 00:35:37,000
>>NOW...
851
00:35:37,701 --> 00:35:39,501
IT WAS ALREADY.
852
00:35:40,634 --> 00:35:43,334
[♪]
853
00:35:43,734 --> 00:35:45,334
OW!
854
00:35:46,133 --> 00:35:50,734
[♪]
855
00:35:55,834 --> 00:35:58,334
[Blows] [Moans]
856
00:36:02,267 --> 00:36:09,267
[♪]
857
00:36:14,501 --> 00:36:16,200
>> THERE THEY TALK TO YOU.
858
00:36:18,400 --> 00:36:19,767
>>WELL NOW, FORGIVE ME.
859
00:36:19,901 --> 00:36:21,033
IT LOOKS LIKE YOU'VE NEVER SEEN
860
00:36:21,167 --> 00:36:23,200
TO A DRUNK.
861
00:36:24,501 --> 00:36:25,467
WELL?
862
00:36:25,601 --> 00:36:26,934
Epifanio: MY SISTER-IN-LAW IS WORTHY
863
00:36:27,067 --> 00:36:27,868
MORE MORTIFIED, BECAUSE RAMIRO
864
00:36:28,000 --> 00:36:30,000
HE HASN'T TALKED TO HIM, MAN.
865
00:36:31,267 --> 00:36:32,267
NO, BATMAN.
866
00:36:32,400 --> 00:36:33,367
LOOK, THAT BOY MAY BE
867
00:36:33,501 --> 00:36:34,534
CRAZY, BUT HE ALWAYS ATTENDS TO HIS
868
00:36:34,667 --> 00:36:35,734
BOSS.
869
00:36:35,868 --> 00:36:37,234
>>DON'T WORRY, DON EPIFANIO,
870
00:36:37,367 --> 00:36:39,467
I SPOKE WITH HIM YESTERDAY, HE'S FINE.
871
00:36:39,601 --> 00:36:40,667
>>WELL, SO I'LL DO IT TO YOU
872
00:36:40,801 --> 00:36:43,100
KNOW MERCEDES.
873
00:36:43,601 --> 00:36:45,868
HEY, WHEN YOU TALK TO RAMIRO
874
00:36:46,000 --> 00:36:46,767
AGAIN, TELL HIM NOT TO BE
875
00:36:46,901 --> 00:36:48,167
INCONSIDERATE, MAN, WHO
876
00:36:48,300 --> 00:36:50,467
TALK TO YOUR BOSS.
877
00:36:50,601 --> 00:36:52,367
SHE IS WORRIED.
878
00:36:52,501 --> 00:36:54,667
>>IT'S GOOD, SEE YOU LATER.
879
00:37:16,567 --> 00:37:23,033
[♪]
880
00:37:23,667 --> 00:37:26,267
[Device noise]
881
00:37:29,367 --> 00:37:31,133
>>500 VOLTS.
882
00:37:37,667 --> 00:37:39,601
>>NO...
883
00:37:39,734 --> 00:37:40,534
NO...NO...NO...
884
00:37:40,667 --> 00:37:42,300
AHHHH...!
885
00:37:42,434 --> 00:37:45,501
AHHHH...
886
00:37:45,634 --> 00:37:47,334
[Groans]
887
00:37:47,467 --> 00:37:48,934
>>WHO SENDS THEM?
888
00:37:49,067 --> 00:37:50,868
WHO DO YOU WORK FOR?
889
00:37:51,467 --> 00:37:52,934
[Cell phone rings]
890
00:37:54,234 --> 00:37:55,767
MOBILE!
891
00:37:57,634 --> 00:38:02,934
[Cell phone rings]
892
00:38:05,834 --> 00:38:08,934
>>WELL, RAMIRO?
893
00:38:09,634 --> 00:38:11,601
WELL, RATS?
894
00:38:11,734 --> 00:38:13,100
WHAT HAPPENED, RATS?
895
00:38:13,234 --> 00:38:15,234
HAVE THEY ALREADY KILLED TERESA MENDOZA?
896
00:38:15,934 --> 00:38:17,367
WELL?
897
00:38:17,501 --> 00:38:18,901
RATS?
898
00:38:19,033 --> 00:38:20,601
WELL?
899
00:38:20,734 --> 00:38:21,868
IT LOOKS LIKE IT'S BEING CUT OFF
900
00:38:22,000 --> 00:38:23,367
COMMUNICATION, BECAUSE I DON'T
901
00:38:23,501 --> 00:38:24,300
I HEAR NOTHING.
902
00:38:24,434 --> 00:38:26,100
DO YOU HEAR ME?
903
00:38:26,234 --> 00:38:26,901
WELL?
904
00:38:27,033 --> 00:38:30,334
>>AYYYY...!